Dino Arslanagić (born 24 April 1993) is a Belgian professional footballer who plays as a centre back for Belgian club Standard Liège.
Arslanagić is product of famous Standard Liège youth academy, where he made his senior debut in 2012, at the age of 19.
Arslanagić represented Belgium at all youth levels, from under-15 to under-21, but has yet to play at senior level. He is eligible to represent either Belgium or his parents' home country, Bosnia and Herzegovina.
Dino is a name which may refer to the following people:
As a given name:
Dino (pronunciation: /ˈdiːnoʊ/) is a fictional character featured in the Hanna-Barbera animated television series The Flintstones, and its TV spinoffs and feature films. He is a pet dinosaur of the series' main characters, Fred and Wilma Flintstone. Dino debuted in the opening credits of the pilot episode of The Flintstones, but is not mentioned by name until the first season's fourth episode, "No Help Wanted."
In the series, Dino serves the role of a pet dog, and exhibits the characteristics of a typical domesticated canine.
Dino is a theropod/prosauropod-like dinosaur (with the characteristics of both of them and closely related with Eoraptor and Alwalkeria). He is a Snorkasaurus. Dino is a relatively small dinosaur, only slightly larger than the humans of his time, smaller than mammoths that appear in the series, and much smaller than the numerous sauropods that appear as work animals in the series (a full-sized sauropod appears as a crane in the opening sequence, and oversized "bronto ribs" the size of an automobile are seen in the closing credits). Dino is comparable in size to the dwarf Europasaurus.
Dino: Living High in the Dirty Business of Dreams is a biography of Dean Martin written by Nick Tosches. It draws heavily from interviews Tosches did with Jerry Lewis and Martin's second wife, and lifelong friend Jeanne Biegger. The story begins with the births of Martin's grandparents in Italy and follows his entire life up to the point of publication. It also includes sections in which Tosches writes in the first person from the point of view of Martin, a gonzo journalism style which would be used more frequently in his later non-fiction works.